


I have rarely seen anyone in this museum and today was no exception. I wandered into the darkened room which contained nothing but a 15 metre steel box. An iron ball inside the container rolled from one end to the other with a great crash, emphasised by the flickering of a few tiny lights. According to the brochure, this was a ‘metaphorical installation about imprisonment and struggle’. Not the first thing that came to mind I must admit.


Much of Wu Shaoxiang’s work is based on the theme of money. Jiang Shuo’s cartoon-like ‘Red Guard’ figures frequently include items of western culture such as Coke cans, mobile phones and hamburgers in place of Mao’s Red Book. The artists have collaborated to produce pieces that merge both themes with Red Guards posing on money-based pedestals, a whimsical statement about China’s transformation.
No comments:
Post a Comment